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Lanna’s Era Apparel

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Prince Ubonwanna
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Mural painting at Phumin Temple, Nan, illustrating the clothing and lifestyle of Lan Na people.

For noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’. For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt (sarong) but with different color and pattern. The skirt was called ‘Sin Tor Tean Tor Aeui’, a single, dark-color fabric with a diagonal pattern. The women of Lan Na back then were not wearing proper shirts or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawls/scarves as a cover.

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Mural painting at Wat Phra Singha, Chiangmai
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Mural painting at Nong Bua Temple, Nan, illustrating the courtship of Tai Lue young couple.
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Portraits of Northern villagers, wearing Sin Tor Tean Tor Aeui (bottom) and diagonal shawl.
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Lan Na’s women usually tie their hair up in several fashion namely

1) Klao Vid Wong; the hair is being tied up into a knot at the top of the head. The remaining locks of hair are curled up as a hoop and tucked in the middle of the knot.

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The exhibit of Klao Vid Wong

2) Klao Phom Bom Jong/ Aua Jong; Tucked locks of artificial hair into a made hair-knot to make the knots bigger.

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The exhibit of Klao Phom Bom Jong

3) Japanese Style, which was considered very fashionable during the era of Dara Rasami, The Princess consort. 

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The exhibit of Japanese Style
Thank you for a pic from cuartculture
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In complement to their hair styling, many accessories are used to decorate and alter the looks. The famous one is the ‘Hair Pin’, pins were made from diverse materials; silver, gold or brass. Some used fresh flowers as an ornament called ‘Dok Mai Wai’. Flowers like Champak or Ervatamia were popular as they were scented and appear in plae, appropriate colors. Thirdly ‘Whee Sub’ or a hair comb – made of ivories, gold and silverware. Hair wraps (Phok Hua Kian Pha) were also a popular choice, not only a fashion item, the wrap also worked as the symbol that tells the marital status of the women. In Thai Lue traditions, a bachelorette would wear pink wraps. Only when she is married, then can she wear other colors. The earrings were as well, popular and available in various options and styles – flowers, silver and golden plates were put on to keep the pierce in place. Lastly, ‘Hoy Kang’ or the belt’s charms. Made of either silver, gold or brass, the charms usually hung around the waist, adding glams and details to the look.

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Lan Na men’s tattoos

In the past, Lanna men wore ‘Pha Toi,’ hand-woven cotton in solid colors, or ‘Ta Kong,’ a black and white checkered pattern gathered at the waist and tucked like a Jong Kraben. Instead of shirts, they draped the cloth over their shoulders or used it as a blanket in cold weather. They also practiced ‘Suk Muek,’ tattoos with black ink, as a rite of passage into adolescence, extending from the waist to just below the knee.

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Mural Painting, Phumin Temple, Nan – illustrating the Lan Na man with the tattooed legs.

Nobles and high-status individuals adorned themselves with silver, gold, and pinchbeck accessories. Both men and women preferred to pierce their ears and wear ‘Lan,’ large cylindrical earrings made from silver sheets or rolled gold, which were later incorporated into various shirt styles.

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“Kawilorot Suriyawong”, Sixth Grand Prince of Chiang Mai from “Chet Ton Dynasty” (Tipaya Chak)
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During the reign of King Rama V until the reign of King Rama VII, Lanna was influenced by many places that are evident. Women will like to style their hair in Japanese style. wearing a western-style lace shirt

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