Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
Men collections
it was stressed that one should dress in accordance with his own social status. To dress as higher class of his own, was considered inappropriate. Some styles and clothing articles were conserved for the high rank aristocrats only.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
The Dawn of Rattanakosin
During Dawn of Rattanakosin was still heavily resembling the late Ayutthaya fashion. The choice of fabric remained to be the big part that identifies the social status of the people. As the empire evolved, so did the people, social and cultural evolution took place not so long after these decades as Rattanakosin became one of mega, multicultural cities. For those with higher social status, usually wore a simple long sarong, folded into a pleat and a diagonal shawl.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
Lanna collections
For Lanna noble women or those who came from an aristocratic family, they dressed elegantly with a long skirt made of full piece of cloth. The fabric possesses a very unique, diagonal pattern with a specific embroidery at its hem called ‘Sin Tor Tean Jok’ . For the commoner, the fashion was less detailed. Commoner ladies would wear the same style of long skirt but with different color and pattern. The women of Lan Na back then were not wearing a proper shirt or blouses, they either covered their upper body with a piece of light-colored fabric wrapped over their breasts called ‘Mud Nom’ or using ends of their shawl/scarves as a cover.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
The Exquisite Ayutthaya
In early Ayutthaya, women usually let their hair down or pull it up in bundles or braids. Later on as the wartime approached, they changed into the shorter hair-do that would allow them more physicality in combat. The short hair styles were: Mahad Thai, Dok Kra Tum and Peek. The accessories and ornaments in Ayutthaya can be categorised into 2 main types. One was the royal ornament - worn by Kings, royal families and the noble. The majestic characteristics of the accessories were obviously distinguished from the commoner by its prestige, majestic elements. It includes the fineries made of golds and jewels. The commoner’s fashion was less splendid. The fashion was way more normal - rings for man and gold/silver earrings for women. If they were from bourgeois class with money, they usually wore the bracelet and anklet as a child.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Women in middle Ayutthaya
Women typically wore shirts with pointed necklines and long sleeves extending to the wrists, referred to as "Suea-Cheek-Oke" (Open-chest shirt; Décolleté shirt) during that era. Men followed a similar style, but with the distinction of having short sleeves. The favored hairstyle for both genders was to keep long hair tied in a bun known as "Song Khadong," where it was pulled up to form a slim loop on the crown of the head, often adorned with hairpins or garlands.
Men in middle Ayutthaya
The Thai royal family or noblemen in the Ayutthaya period dress with full authentic accessories. In the middle age of Ayutthaya, most of them also usually keep their hair long in order to make a hair bun in the middle of the head and wear luxury fabrics that are imported and influenced by neighboring kingdoms.
Men in middle Ayutthaya
The Thai royal family or noblemen in the Ayutthaya period dress with full authentic accessories. In the middle age of Ayutthaya, most of them also usually keep their hair long in order to make a hair bun in the middle of the head and wear luxury fabrics that are imported and influenced by neighboring kingdoms.
Men in middle Ayutthaya
The Thai royal family or noblemen in the Ayutthaya period dress with full authentic accessories. In the middle age of Ayutthaya, most of them also usually keep their hair long in order to make a hair bun in the middle of the head and wear luxury fabrics that are imported and influenced by neighboring kingdoms.
Men in middle Ayutthaya
The Thai royal family or noblemen in the Ayutthaya period dress with full authentic accessories. In the middle age of Ayutthaya, most of them also usually keep their hair long in order to make a hair bun in the middle of the head and wear luxury fabrics that are imported and influenced by neighboring kingdoms.
Men in middle Ayutthaya
The Thai royal family or noblemen in the Ayutthaya period dress with full authentic accessories. In the middle age of Ayutthaya, most of them also usually keep their hair long in order to make a hair bun in the middle of the head and wear luxury fabrics that are imported and influenced by neighboring kingdoms.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
Thai Dynasty
"Representing the Ravishingness of The Royals" The Thai Dynasty attire, is renowned
as one of the most astonishing traditional Thai clothings. It is very popular
among Thai women, as the cloth used in this attire is supplemented with delicately
weaved embroidery. The garments consisted of double-layered shawl, the outer layer
is embroiled with silver and golden braids along with the gems, which makes
"Thai Dynasty" attire, a very exquisitely meticulous cloth, as it is one of the royal attire.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
The Thai meets West: The reign of Rama V
“The reign of Rama V — a timeless beauty, perfect mixture of the Thai and Western styles”
Thai traditional attire in the reign of King Rama the Fifth or the era of cultural transformation in 1892 has the significant shifts and changes like no other periods in time. The attire is heavily adjusted to the Western clothings. The usual female attire, which was the shawls, has turned to to shirt with leg o' mutton sleeve and the loincloth with belts and silk shawls as the complementaries. For male attire, there was the introduction of the ‘Raj Pattern’ cloth that later on became a popular attire wore by Siamese men, the royals and aristocrats included. The change in fashion suggests the progress Siam has made as a country to be compatible to the modern world. The Thai meets West, therefore, is both an astonishing attire and the symbol of Siam as a modern civilisation.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
For Childhood
A girl and a boy. Most of the kids would not be properly dressed until they were 4-5 years old. Accessories for kids are not distinctive from the grown-ups, only in smaller sizes. Most of the kids’ accessories usually have a small bell. The hairstyle. According to the old beliefs, braiding the kids' hair, Pom Jook, Pom Kho, Pom Pia, or making a hair-knot.
